Photographers with HD video capable DSLR cameras can now enjoy the experience of movie making with cinematic style results. In this programme top british stills photographer Karl Taylor sets out to make a short film with just a DSLR camera and a few lenses.

Recent releases of Adobe's Premiere Pro have truly added more and more "pro" features to the software, opening up editors' and artists' eyes to the software. With that in mind, Tyler Ginter, professor of our Yellowstone DOP211 course, leads this production-based course which relates his real-world experience working on various jobs in the software.

As filmmaking continues to explode in both entertainment and education (plus, the cost of professional equipment is coming down) the industry is becoming more and more competitive.You can no longer “rest on your laurels”... the key is watching what the master filmmakers and cinematographers are doing.

In video production, the process of selecting music for projects can be tedious and time consuming. You have to sift through thousands of generic tracks to find something uniquely suited to your project that hasn't been used in thousands of other projects.

Year: 2009-2010, Language: English | RAR Size: 4.53 GB < UnRAR size: 9.4 GB
Video codec: QuickTime, Video: H.264, 960x540, 29,97 fps, Audio: AAC, Stereo (LR), 44.100 kHz

• Artbeats recruits top experts in the design industry to create these educational video tutorials for you. Whether you're a novice wanting step-by-step instruction, or a veteran just looking to expand your creative possibilities, Artbeats video tutorials will help you build your own masterpiece using stock footage. Be sure to check back often for new videos.
  Artbeats has recruited design expert Steve Holmes of Energi Design to bring you bi-weekly video tutorials which show you quick tips for using stock footage in your projects in innovative ways. Whether you're a novice wanting step-by-step instruction, or a veteran just looking to expand your creative possibilities, these tips, presented in After Effects, will help bring your projects to the next level.

Composition is one of the least understood yet most important aspects of video. Like good storytelling, in order to achieve good video composition you have to make every detail count and keep the audience engaged in your story. In this course, Eduardo Angel breaks down effective cinematic composition, showing how to create different compositional effects using a variety of techniques.

Motion Graphics for Video Editors: Terms and Technology
Video professionals: get a clear understanding of just how graphics work in video projects. You'll learn the resolution, color-space, bit-depth, aspect-ratio, and file-format requirements for both raster- and vector-based video. You'll also discover how to prep files with Adobe Photoshop and Illustrator for use in a video workflow. Author Rich Harrington also covers the range of issues that can impact broadcast-safe graphics.