- Ever since we started publishing on MyFonts in 2009, we've received requests for a typeface to complement our popular dingbat fonts. So here it is: LiebeErika. Friendly and polite, rather thin, extra narrow, and of course‚ carefully hand-crafted.
- LiebeErika’s casual and warm style is perfectly suited for invitations and personal correspondence. It’s even in the name: German phrase, Liebe Erika‚ translates to, Dear Erika, the beginning of a personal letter. But LiebeErika is not limited to English or to the German character set. It supports many other languages, too!
- LiebeErika comes with a stunning variety of ligatures and alternative forms available through OpenType features. (Please make sure your software supports OpenType if you wish to use the advanced features.) The font contains over 500 glyphs, so it’s actually two or three fonts in one.
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4 OTF & WOFF Font Files | Designers: Santiago Sancha 2014
http://www.myfonts.com/fonts/latinotype/infamy/
- Infamy is a display typeface inspired by graffiti and street art, featuring the ‘bubble letter’ style of writing which was very popular among subway and suburban graffiti artists in the early days of American graffiti. This font recovers graffiti horizontal alignment, tight tracking and colourful lettering. The OpenType version includes many different ligatures which provide multiple options when composing a text. Multiple layers make Infamy a bright, shaded and colourful font, allowing you to dress up your writing. This font incorporates a pictorial rendering of character faces (instead of small caps), capturing the essence of the graffiti: the ‘childish’ and the ‘irresponsible’, which is present in the experimental side of the typeface.
- Pantano is a handmade grunge typeface inspired by the rustic style of Amazonia. This update adds more diacritics, alternate characters and more ligatures give a sensual and naturalistic touch to the written word. Designed by Luciano Vergara and LCF. Languages include: Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Romania, Pan African Latin.
- Badona is a custom typeface which is applicable for web, print especially for magazines, brochures, posters, flyers and motion graphics.
- Both weights are perfect for logos (light size has an elegant look and the regular one gives a unique feel). Regular size is also applicable for text.
- Badona has 232 glyphs and supports Turkish and West European languages.
- To help usher in the first snowfall in the Upper Mid West, we are releasing Winter Mix Blizzard. A grand collection of weatherworn handmade fonts.
OTF & WOFF Font Files | Designer: Alissa Mazzenga
- Feast is a calligraphy style font designed by Alissa Mazzenga. Her hand-sculpted letterforms emanate a powerful, yet delicate presence. Their magic resides in the ethereal movement of fluid wisps of ink, forming soft arched lines and design that stands alone.
Oita Font Family $124
42 OpenType OTF Fonts | Designer: Jeremy Dooley
http://www.myfonts.com/fonts/insigne/oita/
- Oita might be a carefully crafted typeface family, created by a meat-bag human.
- Or, it might have been made by a supremely clever sentient robot.
- Found in the dark recesses of a top secret spy agency’s quantum computer, this font came with this somewhat unusual description, which is presented without comment.
- "To conquer, we cannot simply overcome. Success is found in supremacy--in the dominance of Oita.
- While looking for the right tool for this success, our research has led us to the finely executed forms found of military domination throughout history. In our labs, we've used our specialized machines to harness these forms' power and refined their impact through elements of contemporary and computer design. The structure proves to be robotic and squared on its edges. However, the chutzpah of this technical face still allows it to pass as if created by human hands.
- Our resulting payload, Oita, is modern and sturdy. While based on a practical, octagonal structure, make no mistake; this new instrument will drive forward the energy you want to push through your projects. Oita has 42 cuts certain to encompass your designs on world domination. Each font contains the glyphs to support over 52 languages. The font also includes tabular and lining figures, numerous ligatures, and selected advanced Opentype options, including stencil and experimental options to bring out the dynamic characteristics that have already been crafted into Oita.
- Early tests have found that the new instrument is easily scalable to smaller dimensions without reducing its impact. The font remains highly readable across a variety of applications. We speculate from our findings that it will be successful for sporting and technical applications.
- So for you who venture to use Oita, use it boldly. Don't just overcome. Dominate. Go and conquer mightily with Oita. We'll be watching."
- We may never know whether Oita hails from mind or mechanism. What we do know is that, should you choose to take on Oita, you'll be acquiring a dynamic poster and packaging face, a minigun-toting bad robot of a font that exudes pace and power.
Heraldica Script OTF $79
OTF and WOFF Files | Designers: Angel Koziupa, Alejandro Paul
http://www.myfonts.com/fonts/sudtipos/her%C3%A1ldica-script/
- Ornamented scripts are a Koziupa/Paul specialty, and Heraldica is one of their most expressive. It attains the very definition of deluxe by conjoining the classic thin-and-thick script treatment with thin-only counterpart strokes, then it goes the extra mile with a varied complement of overlaid flourishes. The usual assortment of multiple alternates and ending forms pushes it even further in class and versatility.
- Monograms, logos, jewelry packaging and book covers are only a few of the possibilities with such a high-end script.
Medusa Font Family
Medusa is Ramiro Espinoza’s homage to 19th Century Catalonian pointed pen calligraphy. The starting-off point in the creation of the typeface was an analysis of the historical models of formal English handwriting and the ways in which those styles had been adapted to the typographic technologies of different eras. A representative example of such adaptations involves the group of letters which, in connected scripts, join from near the top of their x-height, namely “b”, “o”, “v” and “w”. Up to now, all typefaces derived from the roundhand have been simplified so that the above letters connect with the following glyphs from the middle of their x-height. Unfortunately, this solution produces an artificial, awkward appearance. At ReType we decided to move in the opposite direction. We didn’t force the shape of hard-to-format letters into the service of technology, but rather resolved to press technology into the service of respecting the original graceful quality of those letters. In addition, numerous elements lacking in Stirling’s book have been added. The fantastically ornate capitals were redrawn in order to strike a greater balance and enhance the consistency of the set of letters as a whole. Several swashes and ligatures were also created from scratch. Perhaps the most unusual feature of Medusa is its small caps, which have been carefully designed to produce an all-cap setting that is stylistically harmonious with the classic copperplate script, something which has up to now been missing from this genre of typeface. Finally, we are offering a separate set of modular swashes that enable complex decorative headings and cartouches. We are pleased to say that Medusa is a complete script system the unique features of which will lend elegance and sophistication to a wide variety of design projects.
OTF | 2 Fonts | JPEG Preview | 13.4 Mb RAR
Piel Script Font
Over the past couple of years I received quite a number of unusual and surprising requests to modify my type designs to suit projects of personal nature, but none top the ones that asked me to typeset and modify tattoos using Burgues Script or Adios. At first the whole idea was amusing to me, kind of like an inside joke. I had worked in corporate branding for a few years before becoming a type designer, and suddenly I was being asked to get involved in personal branding, as literally “personal” and “branding” as the expression can get. After a few such requests I began pondering the whole thing from a professional perspective. It was typography, after all, no matter how unusual the method or medium. A very personal kind of typography, too. The messages being typeset were commemorating friends, family, births, deaths, loves, principles, and things that influenced people in a deep and direct way, so much so that they chose to etch that influence on their bodies and wear it forever. And when you decide to wear something forever, style is of the essence. After digging into the tattooing scene, I have a whole new respect for tattoo artists. Wielding that machine is not easy, and driving pigment into people’s skin is an enormous responsibility. Not to mention that they're some of the very few who still use a crafty, hands-on process that is all but obsolete in other ornamentation methods. Some artists go the extra mile and take the time to develop their own lettering for tattooing purposes, and some are inventive enough to create letters based on the tattoo’s concept. But they are not the norm. Generally speaking, most tattoo artists use generic type designs to typeset words. Even the popular blackletter designs have become quite generic over the past few decades. I still cringe when I see something like Bank Script embedded into people’s skin, turning them into breathing, walking shareholder invitations or government bonds. There’s been quite a few attempts at making fonts out of whatever original tattoo designer typefaces can be found out there - wavy pseudo-comical letters, or rough thick brush scripts, but as far as I could tell a stylish skin script was never attempted in the digital age. And that’s why I decided to design Piel Script. Piel is Spanish for skin. In a way, Piel Script is a removed cousin of Burgues Script. Although the initial sketches were infused with some 1930s showcard lettering ideas (particularly those of B. Boley, whose amazing work was shown in Sign of the Times magazine), most of the important decisions about letter shapes and connectivity were reached by observing whatever strengths and weaknesses can be seen in tattoos using Burgues. Tattoos using Adios also provided some minor input. In retrospect, I suppose Affair exercised some influence as well, albeit in a minor way. I guess what I'm trying to say is there is as much of me in Piel Script as there is in any of the other major scripts I designed, even though the driving vision for it is entirely different from anything else I have ever done. I hope you like Piel Script. If you decide it to use it on your skin, I'll be very flattered. If you decide to use it on your skateboard or book cover, I'll be just as happy. Scripts can't get any more personal than this. Piel Script received the Letter2 award, where they selected the best 53 typefaces of the last decade, organised by ATypI.
OTF | 1 Font | JPEG Preview | 50.5 Mb RAR
Melany Lane Font Family
Melany Lane from Yellow Design Studio is a flourishy script based on traditional letterforms, but with the added quirks and warmth of hand-drawn type. The base character set has traditionally connected letters and an expressive charm. Contextual alternates add flair with unconnected letters and additional contour options. Mix in swash and stylistic alternates for extra funkiness and fun. Melany Lane features regular and bold versions, 118 eclectic ornaments (also in regular and bold), and a free set of 14 seamless background patterns. It includes over 1300 glyphs and 364 ligatures that create interesting letter combinations and fix overlapping letter pairs. Opentype features including contextual alternates, swash, stylistic sets, ligatures, initial and terminal forms and old-style figures. It performs best with opentype friendly applications.
OTF | 5 Fonts | JPEG Preview | 7.6 Mb RAR
Reina Font Family
Reina is Sproviero’s didone of the year. We recommend seeing its user’s guide. Inspired in the sweet letters of calligraphy and typography masters of our past; such as Didot, Bodoni and the incredible Herb Lubalin, its aim was to incorporate the decorative accolades from blackletter and copperplate styles of calligraphy into a Modern Roman typeface. Reina reflects sovereignty due to the enveloping atmosphere and the sensation of greatness that can be felt when using it. It has an unique way of standing over paper and screen, being its swashes responsible of an extreme elegance. Similar to what Lian did in his last font Breathe, Reina was designed to be playful yet formal: While none of its alternates are activated it can be useful for short to medium length texts; and when the user chooses to make use of its open-type decorative glyphs, it can be useful for headlines with dazzling results.
Reina is a family with many members. In order to achieve better results when printing, Lian took his time to design the necessary styles: Reina 72 Pro, prepared for display sizes; Reina 36 Pro, for medium sizes; and Reina 12 Pro, the best for text or decorative words in small size. Each of these members have variants inside, which are open-type programmed: The user decides which glyph to alternate, equalizing the amount of decoration wanted. Reina Engraved Pro has the same features than the variants mentioned above. The family also contains variants which were made exclusively for decoration. These are: Reina Words, a set of the most common words used in english, german, italian, french and spanish; Reina Capitals, which consists in a big set of ornamented capitals; and Reina Fleurons, those little friends which always help to embellish our work.
OTF | 12 Fonts | JPEG Preview | 6.4 Mb RAR
Alek Font Family
Alek is a classy and elegant yet playful upright script family of two weights and an ornament set. Alek is equipped with plenty of OpenType features: To activate the alternates click on Swash, Contextual, Stylistic or Titling Alternates or Discretionary Ligatures, Tabular or OldStyle Lining in any OpenType savvy program or manually select the characters from Glyph Palette. Always keep on Standard Ligatures for the best outcome. Combine Alek with Alek Ornaments to complete your designs. Turn on SmallCaps and write in lowercase to activate a set of block letters designed to support Alek. Alek is closely related to Emil Bertell’s earlier release Mishka, having wider family and smoother letterforms.
OTF | 5 Fonts | JPEG Preview | 21.2 Mb RAR
Castile Kufic Modern Arabic Typeface
3 OTF and WOFF Font Files | Designer: Eyad Al-Samman
http://www.myfonts.com/fonts/alsamman/castile/
- Castile is a central region of Spain that formed the core of the Kingdom of Castile, under which Spain was united in the 15th and 16th centuries. “Castile” is a Kufic modern Arabic typeface. It is suitable for books' covers, advertisement light boards, and titles in magazines and newspapers. It is very distinctive when used in black and white printout. It decorates colored pages and makes artworks more attractive. This font comes in three different weights.
- I adore Spain and the historical achievements of the Islamic civilization existed there in the past. By designing “Castile” Typeface, I wanted to refer to the Islamic civilization that Muslims had in Spain and especially in Andalusia. Today the name of Castile survives in two autonomous regions of Spain: Castile-La Mancha (capital city is Toledo) and Castile-Leon (capital city is Valladolid).
- The main characteristic of “Castile” Typeface is in its modern open-end style for some of its Arabic characters such as “Sad”, “Dad”, “Seen”, “Sheen”, “Qaf”, “Faa”, “Yaa” and others. The shape of the characters' “dot”, “dots”, and “point” is innovative; a triangle with a semi-circle shape.
- “Castile” Typeface is suitable for books' covers, advertisement light boards, and titles in magazines and newspapers. Its charactersí modern Kufic styles give the typeface more distinction when it is used also in posters, greeting cards, covers, exhibitionsí signboards and external or internal walls of malls or metroís exits and entrances. It can also be used in titles for Arabic news and advertisements appeared in different Arabic and foreign satellite channels.
Zawiya - Kufic Modern Square-Shaped Arabic Typeface
3 OTF Fonts with WebFonts | Designer: Eyad Al-Samman
http://www.myfonts.com/fonts/alsamman/zawiya/
- The word Zawiya in Arabic language means Angle in English language. “Zawiya” is a Kufic modern square-shaped Arabic typeface. The typeface has only right-angled angles which makes it full of open and closed squares and free from any curves or arches. This font comes in two different weights.
- I am originally an engineer and I have liked to draw geometric shapes since my early childhood. I decided to design a typeface that embodies both of the technical and artistic human that I have inside me.
- The main characteristic of “Zawiya” Typeface is in its modern and attractive right-angled and square-shaped styles for its all-Arabic characters. The character “Faa” is one of its most distinguished characters that I myself adore it so much.
- “Zawiya” Typeface is suitable for books' covers, advertisement light boards, titles in magazines and newspapers, posters, greeting cards, cards, covers, satellite channels, exhibitions' signboards and external or internal walls of malls or metro’s exits and entrances, geometric instruments and tools, technical devices, computers and laptops, IT and electric devices and also calculators. It is advisable to use the font in fields related to sciences such as geometry, mathematics, physics, chemistry, astronomy, industry, economy, and other fields. It can also decorate surfaces of calculators, geometric tools, rulers, pens, computers, cars, ships, trucks, and other related electric and electronic devices. It is sharp design qualifies it to be printed in public signs in streets, airports, hospitals, schools, malls, hotels, mosques, and other public places. It can also be used in titles for Arabic news and advertisements appeared in different Arabic and foreign satellite channels.
- “Samman” is a Kufic simple Arabic typeface. It can be used to decorate public signs in streets, airports, hospitals, schools, malls, hotels, mosques, and other public places.
- My family’s surname is “Samman” which stands for the person who sells fat especially the one produced by cows (“Samn” in Arabic). Consequently, “Samman” Typeface was designed for eternizing the memory of my family.
- The main characteristic of “Samman” Typeface is the leaf-shaped style for some of its Arabic characters such as “Dad”, “Sad”, “Faa”, “Meem” and others. The distinguishing artistic design of its “Haa” character adds a unique feature to this typeface especially when connected with other characters. The shape of the characters' “dot”, “dots”, and “point” is innovative; a triangle with a semi-circle shape.
- “Samman” Typeface is suitable for books' covers, advertisement light boards, and titles in magazines and newspapers. Its characters' modern Kufic styles give the typeface more distinction when it is used also in posters, greeting cards, covers, exhibitions' signboards and external or internal walls of malls or metro’s exits and entrances. It can also be used in titles for Arabic news and advertisements appeared in different Arabic and foreign satellite channels.
Nasser Font Family - Kufic Modern Arabic Typeface
3 OTF Font Files with WOFF webfonts | Designer: Eyad Al-Samman
http://www.myfonts.com/fonts/alsamman/nasser/
- “Nasser” is a Kufic modern Arabic typeface. It is suitable for books' covers, advertisement light boards, and titles in magazines and newspapers. It is very distinctive when used in black and white printout. It decorates colored pages and makes artworks more attractive. This font comes in three different weights.
- My father’s name is “Nasser”. Consequently, “Nasser” Typeface was designed for eternizing the memory of my late father. He was the person who taught me how to like arts, literature, and languages. Besides, my first cute child is named also “Nasser.”
- The main characteristic of “Nasser” Typeface is in its modern non-descender style for some of its Arabic characters such as “Sad”, “Seen”, “Sheen”, “Qaf” and others. The shape of the characters' “dot”, “dots”, and “point” is innovative; a triangle with a semi-circle shape.
- “Nasser” Typeface is suitable for books' covers, advertisement light boards, and titles in magazines and newspapers. Its characters' modern Kufic styles give the typeface more distinction when it is used also in posters, greeting cards, covers, exhibitions' signboards and external or internal walls of malls or metro’s exits and entrances. It can also be used in titles for Arabic news and advertisements appeared in different Arabic and foreign satellite channels.
GetaRobo Font Family $247
10 OTF Fonts with WOFF Webfonts | Designer: Jonathan Hill
http://www.myfonts.com/fonts/northernblock/geta-robo/
- A mechanical typeface influenced by Japanese animation (Anime).
- Examples Include: Getter Robo and Gatchaman aka (Battle of the Planets).
JUHL Font Family $512
16 OTF Fonts with WebFonts | Designer:Jonathan Hill
Clean, Commercial, Information, Branding, Brochure, Business, Contemporary, Corporate,
Editorial, European, Geometric, German, Headline, Humanist, Identity,
Legible, Light, Linear, Magazine, Modern, Neutral, News, Poster, Sans Serif
Screen, Swiss, Text, True Italic
- A geometric sans serif typeface, the square horizontal structure is evenly balanced with smooth curves and arcs producing a clean, distinct font ideal for both print and on screen uses. Further enhancements to improve legibility with the use of consistent stroke contrast and tapered diagonal angles.
- Details include eight weights and italics, 600 characters, Cyrillic, five variations of numerals, manually edited kerning and Opentype features.
Grenale #2 Font Family $124
72 Languages Supported!
48 OTF and WOFF WebFonts | Designer: Jeremy Dooley | 42 MB
www.myfonts.com/fonts/insigne/grenale-2/
- Grenale #2 shapes the new standard of elegance within the Grenale family. Not your typical sans, this pure, geometric structure with its glamorous sensitivity draws much inspiration still from Grenale’s didone sans and the haute couture influence. Independently attractive, though, the form abandons the original’s high contrast for its own minimal stroke variation, achieving proper balance through its graceful strokes.
Sylar Font Family $278
17 OTF and WOFF WebFonts | 48 MB | Designer: Jonathan Hill
Regular, Thin, Bold, ExtraBold, Black, Ultra, Outline and Stencil Types with Italic Formats
http://www.myfonts.com/fonts/northernblock/sylar/
- A linear modern typeface suited for branding & advertising projects. The variations in weight give great contrast when used across body copy & headlines.
- Line is a collaboration between Stefania Malmsten and Göran Söderström. The typeface was originally designed for Swedish fashion and culture magazine Rodeo in 2012 before it was released for commercial use at the end of 2013. Line comes in 5 super thin styles. They can be used individually, or with a formula that keeps stroke weight uniform across different point-sizes. The typeface consists of a basic character set with some alternate letters, plus a large number of modular embellishments which attach to letters in different ways, using kerning pairs. Line is inspired by beauty, handwriting, graffiti tags and scribble.
http://www.myfonts.com/fonts/insigne/cohort/
- Cohort is a strong and crisp geometric sans serif. Cohort uses a rounded rectangle as its central motif. Although the geometric design is minimalistic, Cohort has a variety of unique letterforms that keep the design from being too predictable and maintains a bit of beautiful nuance with plenty of legibility.
- Cohort’s six different weights give it a great deal of versatility, from its sharp and potent black weight to the fresh and razor sharp thin. Cohort can be used for logotypes, headlines or short blocks of text.
- Cohort includes many useful OpenType features, including a set of upright italic swash alternates, ligatures, small caps, fractions and old style figures, sharper and more unique counterforms and simplified characters for titling.
- OpenType-capable applications such as the Adobe suite or Quark can take full advantage of automatically replacing ligatures and alternates. This family also includes the glyphs to support a wide range of latin based languages.
Abdo Master Font Family - Arabic-Persian-Urdu-English $730
The Combination of Modern Kufi and Geometrical Styles
14 OTF with WOFF WebFonts | Designer: Abdulsamie Rajab Salem
http://www.myfonts.com/fonts/abdo-fonts/abdo-master/
- Abdo Master is a geometrical style. This is an OpenType Font supporting Arabic, Persian, Urdu, and English. The combination of modern Kufi and Geometrical styles and varying between straight and curved parts made it a beautiful typeface appropriate to the titles and text, and able to meet the desire of the user in the design of ads and modern designs of various types of audio and visual. It comes in fourteen weights from Thin to Black and Outline style.
