A Bolyar was a member of the highest rank of the feudal Bulgaria - second only to the ruling Tsar (king). This font is closely related to its name origin - we believe we've created a royal, majestic and elegant typeface. We've developed a wide set of alternates, swashes, ligatures and ornaments so that this font will be able to face your needs from simple body type to a strong dominating headline or even logo. We do enjoy this new font and we believe it would be very useful to a large part of package and label designers as it would be an excellent choice for everyone designing a letterhead or a newspaper headline.
OTF | 1 Font | JPEG Preview | 5.6 Mb RAR
A geometric sans serif with a square chiseled appearance. Precise curves are met with straight lines and tapered angles to produce a fresh, technical typeface. It’s large x-height and neutral width give it good legibility at small point sizes. These refined rectangular features make it ideally suited to a wide range of modern applications. Details include 550 characters with alternative lowercase a, e, g and y. 5 variations of numerals, manually edited kerning and Opentype features.
OTF | 18 Fonts | JPEG Preview | 4.9 Mb RAR
Kiro is a minimal, simple condensed sans-serif family designed by Ryoichi Tsunekawa and the whole family consists of 12 style: six weights from Thin to ExtraBold and their matching Italics. The range of styles provides flexibility for title, headline and body text. And the large x-heights gives them legibility and readability. The basic skeleton was designed semi-modularly and the letterform was minimalized by removing their unnecessary stems. Their corners were finished with subtle rounded effect. The minimalized semi-modular design gives this family contemporary urbane taste and rounded corners make this family warm and friendly. Kiro supports almost all European languages: Western, Central, South Eastern Europeans and afrikaans. And superior figures, inferior figures, denominators, numerators and fraction can be accessed by using OpenType features.
OTF | 12 Fonts | JPEG Preview | 12.2 Mb RAR
This antique script is based on Spencerian script released from MacKellar, Smiths, & Jordan in the 19th century. This family comes in two varieties, Standard and ornamented capitals. The Standard has orthodox style for formal text and display. This makes it possible you to use this style for any projects. The unique Ornamented is suitable for eye-catching part of your project: headlines, wedding invitations and logo. Every glyphs were added antique and distressed effect by hand work with great care to be looked like natural. Use your ideas to enjoy this exclusive script.
OTF | 1 Font | JPEG Preview | 15.3 Mb RAR
AmpleSoft is a softer version derived from Ample type family. AmpleSoft is a display type family, optical mono linear and a bit squarish in nature. It has smooth curve instead of sharp angle formed by the junction of two strokes, which is a prominent feature of its design. It is designed to be a little eye-catching yet legible. It has clear and distinguishable letterforms, which helps to elaborate and emphasis the message. It is graphically strong and command viewerís attention. The overall appearance of type is suitable in setting it as heading, title, headline, etc. The type family consists of six weights viz. Thin, ExLight, Light, Regular, Medium and Bold. Considering the nature of this type family, italics have been excluded. AmpleSoft is designed by Aakash Soneri in the year 2014.
OTF | 6 Fonts | JPEG Preview | 4.4 Mb RAR
Courtney is a display font, unicase, with thick and irregular strokes. It contains a varied set of ligatures that makes Courtney a very dynamic font, ideal for short texts, magazines, logos, etc. It also possesses a large amount of connectors like for example: and, the, by, among other, designed to complement the font.
OTF | 4 Fonts | JPEG Preview | 4.4 Mb RAR
Ariana Script is a monoline script typeface. Ariana Script good for any project such as logo, wedding invitation, greeting card, poster, etc. 538 glyphs and alternate character contain with opentype features. Stylistic alternates, Ornament, Swash and more.You can access all those alternate characters by using OpenType savvy programs such as Adobe Illustrator and Adobe InDesign.
OTF + TTF | 1 Font | JPEG Preview | AI, EPS, PDF | 5.1 Mb RAR
Dudu is a font which I made mainly for my own purposes. A lot of times in many projects I was looking for elegant vertical and modular typeface. There is a lot of fonts that overall look good but if You take a closer look, You can clearly see they have mistakes. That’s why I made Dudu. Dudu is a font designed with a highest attention to the detail. Each Dudu glyph has the same modular construction. Dudu Font contains over 400 glyphs ready to use in various languages. I'm also working on a cyrillic version of a Dudu Font which soon is going to be published.
TTF | 2 Fonts | JPEG Preview | 3 Mb RAR
Jonze & Jonzing from KC Fonts is an all uppercase based font that resembles a rubber stamp; Jonze being more on the saturated side and Jonzing on the rather dry. Both fonts each have four glyphs for each letter & two per number, which are accessed by uppercase, lowercase & Contextual Alternates. The Jonze family takes the grungy look that you love one step further by creating a handmade look for you by randomly cycling through Contextual Alternates & Double Letter Ligatures for a unique and authentic look to your creative. When not using the Contextual Alternates feature, you can still alternate between uppercase and lowercase letters to change it up or by accessing the Stylistic Alternates feature. The Jonze family has an extended character set for multilingual support.
OTF | 4 Fonts | JPEG Preview | 10.2 Mb RAR
Handu, designed by Alex Jacque in 2012, is an affable hand-drawn sans-serif inspired by the hand-painted type and signage on the streets of Kolkata, India. Fitting then that it come to life with brush and paint. When used for display purposes the organic, painted texture of Handu’s glyphs really shines. At smaller point-sizes the hand-drawn aesthetic still translates. Handu comes in two styles, regular and shadow. Use each independently or overlay them for a little youthful emphasis.
OTF | 2 Fonts | JPEG Preview | 3.8 Mb RAR
Newslab is a slab serif font – designed by Daniel Hernández –which is the result of the combination of three different typefaces: Andes, Sánchez and Roble. Harmony among every feature of the typefaces makes Newslab a neutral but imposing font. The Newslab font family consists of 16 variants and 8 weights, with italics. Well-suited for editorial projects, logotypes, posters, etc.
OTF | 16 Fonts | JPEG Preview | 6 Mb RAR
Irma Text is a fluid Sans-serif typeface which balances two contradictory construction principles. While it has inherited the geometric structure of the previously-published Irma Display typefaces, it is also inspired by the principles of drawing and cursive writing. Although combining geometric and handwritten models may seem paradoxical at first sight, this synthesis of two different construction principles lends the typeface its unique, dynamic character. Irma Text is sophisticated and personal, yet composed and assured. All weights of Irma Text include eight different kinds of numerals. By default, Irma uses ranging numerals (also called OsF or Old-style proportional figures) designed for setting running text. It also, however, includes lining figures proportioned for use with capital letters, tabular numerals (both lining and OsF), superior, inferior, circled and circled inverted numerals (selectable via OpenType features).
OTF | 18 Fonts | JPEG Preview | 4.1 Mb RAR
Peaches and Cream is a bold brush style script family of three weights, ornament set and an all caps font. Peaches and Cream is equipped with plenty of OpenType features: To activate the alternates click on Swash, Stylistic or Titling Alternates in any OpenType savvy program or manually select the characters from Glyph Palette. Combine Peaches and Cream with Peaches and Cream Ornaments and Peaches and Cream Caps to complete your designs. Peaches and Cream is an effective font for creating ambitious headlines, logos & posters with a custom-made feeling.
OTF | 5 Fonts | JPEG Preview | 13.9 Mb RAR
Chennai’s market-tested type styles have taken new form once again. The geometric forms of Chennai and its derivant Madurai, both successful in web-based applications and logotypes, have now been adapted for the superfamily Madurai Slab, a potent, square slab serif ideal for headlines and posters. Under the surface of Madurai Slab’s straightforward geometric structure, the font’s exaggerated vertical serifs provide the face with an extra chunk that commands the reader’s attention and gives the font more impact in its heavier styles. The extra-fortified forms are anything but monotonous, though. The bolder structure of the slab is instead rational, diligently thought-out, with minimally contrasting strokes, making the sturdier look particularly legible in shorter textual content blocks. This child of Madurai contains a comprehensive range of nine weights--slender to black--and features condensed and extender selections for a complete set of fifty-four fonts. All users of the Madurai Slab collection can access numerous OpenType alternates. Madurai Slab is furnished for experienced typographers, together with alternates, compact caps and many alts like “normalized” capitals and lowercase letters that come with stems. The typeface also contains a range of numeral sets, together with fractions, old-style and lining figures with superiors and inferiors. OpenType-capable programs including Quark or the Adobe suite allow quick changes to ligatures and alternates. Previews of these options can be found in the .pdf brochure. Madurai Slab also features the glyphs to enable all Central, Eastern and Western European languages. In all, Madurai Slab supports around forty languages that utilize the prolonged Latin script, making it an excellent option for multi-lingual publications and packaging. This richness of options makes this the best slab serif family for websites as well as for print, motion graphics, logos, t-shirts and the like. Madurai Slab is a great choice when looking for a Neo-Grotesque slab serif font. In the hands of a learned designer, this new slab offers the potential for beautiful and well-blended layouts. With its widths adjusting to compact and extended content blocks, this typeface is perfect for the headings, captions and other brief, immediate messages that you need to drive your message home.
OTF | 54 Fonts | JPEG Preview | 8.3 Mb RAR
Humanist meets handwriting. Blancmange is a fun and informal face with brushy alternates for the flair when you need it. Swash mannerisms blend with structured letter shapes to give a range of personality. Includes all the requisite OpenType goodies in two weights.
OTF | 2 Fonts | JPEG Preview | 3.6 Mb RAR
Nishan is a unique typeface that brings authenticity of Arabic calligraphy with simplicity of modern Type Design. The Alphabets of Nishan combine the spirit of ancient Kufic inscriptions with the elegance of contemporary Arabic writing. Letter forms are characterized by a sharp difference in their dimensions (length and width). The wide spacing relatively slows down - to some extent - the readability, making Nishan more suitable for decoration and creative titling, as well as advertising and tagging. The typeface consists of four different weights, namely: Light, Regular, Elegance and Bold.
OTF | 4 Fonts | JPEG Preview | 5.3 Mb RAR
Jeames brings familiarity to the often detached feeling extended serif genre. The curved, heavy, joints let the letters bounce along while the proportions and contrast keep your eyes grounded. This mid century inspired family of three weights is intended for large titles and display. The set includes language support, opentype fractions, and other fun glyphs.
OTF | 3 Fonts | JPEG Preview | 3.3 Mb RAR
Tobias Frere-Jones began Armada in 1987. An experiment in algorithmic design, Armada follows the verticals and flat arches so often to be found in the architectural geometry of cast iron and brickwork in nineteenth-century American cityscapes. All of the weights and widths of Armada were drawn by Frere-Jones, offering a full display series of remarkable richness, all variations in a truly architectural theme and discipline. Among other uses, Armada is recommended for Magazine and Corporate use.
OTF | 16 Fonts | JPEG Preview | 6.5 Mb RAR