Aspira: the legible geometric typeface. Aspira is a multi-purpose typeface. It is suitable for both text and display use — for graphic design, corporate identity design, magazines, newspapers, books, reports, advertising, signage, etc. Aspira is a versatile typeface. It offers 112 styles, 8 weights, and 7 widths. It offers 56 upright fonts and 56 italic fonts. It offers lining and oldstyle figures (proportional and tabular). It offers small caps, ligatures, arbitrary fractions, and extensive language support. Aspira is a toolkit for any typographic challenge.
OTF | 112 Fonts | JPG Preview | 14.3 Mb RAR
Heimat Didone is a neo-classical typeface family designed for contemporary typography, especially for use in headlines and on posters, but also for reading purposes. It combines an idiosyncratic appearance with the feeling of a grid-based letter construction of the late 20s. Since the design might be too extreme for some applications, Heimat Didone’s character set provides two alphabets, the regular one plus an alternate design that comes across as less suspenseful. Heimat Didone [872 glyphs] comes in 72 styles and contains 6 optical weights, extra sets of alternate glyphs, many ligatures, lining figures [proportionally spaced and monospaced], hanging figures [proportionally spaced and monospaced], positive and negative circled figures for upper and lower case, superior and inferior, fractions, extensive language support and many more OpenType features.
OTF, WOFF | 72 Fonts | JPG Preview | 20.6 Mb RAR
Apparata is a versatile display and text typeface suitable for identities or magazines. With a rounded finish, some characters have a combination of diagonal and curve strokes. Currently includes 4 styles: Light, Light Italic, Bold and Bold Italic. With more than 700 glyphs in each font, smallcaps, tabular and old style figures, fractions, ligatures, punctuation and symbols.
WOFF, OTF | 4 Fonts | JPG Preview | 3.4 Mb RAR
Simple. Classic. The beautiful handwriting of your mother. Madelinette is inspired by Palmer Method which was introduced to the US in 1894 as a modern alternative to Spencerian. The method won many awards including the Gold Medals at the Panama Pacific Expo of 1915 and the Sesquicentennial Expo in 1926. This disciplined style set the standard of cursive penmanship for decades of American schoolchildren. Of course, Madelinette was written with a steel nibbed dip pen in black ink…she’s traditional. She looks perfect in grandmother’s pearls & sweater sets. Travels Europe on holiday. Loves Parisian food. Owns a tweed suit, plaid capris, a single pair of jeans and more shoes than she can count. Not to be outdone, Madelinette contains loads of OpenType features including automatic ligatures, alternate beginning and ending forms, a complete set of swash and stylistic alternate forms creating a flawless and smoothly organic flowing handwritten look.
TTF | 1 Font | JPG Preview | 3.3 Mb RAR
Our darling Suzanne, she’s personable and flexible with a large number of OpenType accessible alternative glyphs & ligatures to customize her appearance. A modern girl with vintage charms, she’s equally comfortable placed as center of attention or in a supporting role. Her stylish serifs were created with antique French nibs dipped in walnut ink. Suzanne (like her cousins Jack & Nelson) loves books for adults & children, posters, stationery, weddings, gifts and sugary sour candy.
OTF | 1 Font | JPG Preview | 3.5 Mb RAR
Kardia is a versatile type family that lets you compose a wide range of texts, from extensive reading materials to striking, eye-catching headlines and titles. Features include ample proportions that have been revised to maintain similar line performance across all its weights. It also has an elevated x-height which facilitates reading in small bodies, in addition to help building solid headlines. Inspired by brush lettering, it takes many features from calligraphic strokes and the foundational style, adapted to a contemporary typographic language. It has 4 weights, all of them including their corresponding italics, small caps and character set that supports Central, Western and South Eastern European, Afrikaans and many more.
OTF, WOFF | 8 Fonts | JPG Preview | 4.5 Mb RAR
Macula can be described as the ‘impossible typeface’, since its design is based on the concept of impossible objects. This optical illusion was explored into great detail in the 1930’s by the Swedish artist Oscar Reutersvärd, and simultaneously made very famous by Dutch artist M.C. Escher. Macula comes in five styles, some are great to use just by themselves and some are specifically meant for use in layers. By stacking different styles of Macula on top of each other, beautiful multi-coloured typography becomes possible.
OTF | 5 Fonts | JPG Preview | 4.1 Mb RAR
MohoBis is a fancy font based on the multiplication of a source in many strokes way to create a texture called kinetic. This can mean substantial savings in printing ink. Parallel serves to create unusual headlines and prominent texts that provides an attractive modern typeface, ideal for packaging, editorial design and logos.
OTF, WOFF | 2 Fonts | JPG Preview | 3.7 Mb RAR
This is about a journey, from humble EPS handset to magical OpenType glory that might even be a bit spooky if it wasn’t so darn majestic. This stately YWFT Attic is full of surprises, with gorgeous stylistic alternates and swash features that even Scooby Doo might leap into your arms over, if it wasn’t for you meddling kids. Make no mistake, though, there’s no Ruh Ro here--in fact there’s glyphs in that thar Attic--over 350 of them, each one hand-carved by YouWorkForThem and the artisan Brazilian type ninjas at PintassilgoPrints, known for their vigorous crafting of magical OpenTypef features. Tough, demanding and theatrical, yet delicate enough for the most slender chanteuses to catch the Phantom’s eye, YWFT Attic packs all of the emotional power of OpenType, with strong, historical handset roots. Sing, my angels. Sing for the Attic.
OTF | 1 Font | JPG Preview | 3.1 Mb RAR
CM - Beats
After Baurbon Font, I've creating the new fonts. It's called Beats ! I made this inspired when I try the cheapest tools I've ever made. Colapen, Created by cutting the cans of coke. This font specially created for lettering, long wording, badges, logo, etc.
OTF | 1 Font | PNG Textures, JPG Preview | 54.3 Mb RAR
Cogan Curved was especially designed by Leandro Ribeiro. Created in 2014, this font family has been designed to serve sectors like financial services, modern industries, business and many other activities who needs a modern aspect in their communication. Its square proportions make the design very readable at a wide range of sizes. Has a aspect of unique futuristic look and is a very practical choice for moderns headlines, branding, title and text. The family contains a unique stylistic set for titles and is available in 5 weights with corresponding italics. It supports OpenType and offers multilingual support Europeans including Greek and Cyrillic.
OTF, WOFF | 10 Fonts | JPG Preview | 5.2 Mb RAR
CM - MGH vinolian HandDrawn Clean & Rough
MGH vinolian inspired by the style of sign painter in era 1900 made with hand drawn style, MGH vinolian has been carefully hand painted and comes in two styles (Regular/Rough). Bonus : Action grunge ( photoshop)
OTF | 3 Fonts | ATN, JPG Preview | 8.1 Mb RAR
Benchmark Pro is a carefully structured geometric typeface which works amazingly well in body text due to its simplistic nature and large x-height. The design of Benchmark Pro started out as an attempt to convert the minimalistic structure of a technical and purely geometric design into a readable modern and friendly sans serif. This was achieved by selectively changing and turning the straight lines of the initial drawings into curves and applying legibility techniques to the transformed letterforms. These letterforms have a distinct personality which is bolstered by its angular curves and open counter terminals. The result is a contemporary text typeface that looks quite fashionable. Benchmark Pro gets away from the ultra modern and mechanical structure but keeps its display nature, it gets away from the classical but still remains legible. This robust san serif type family offers an extended character set which supports simultaneously Latin, Cyrillic and Greek. All Benchmark Pro font variants have a companion italic, rounding the total family members at 14 fonts. Each font includes more than 750 glyphs and is powered with 17 opentype features.
OTF, WOFF | 14 Fonts | JPG Preview | 3.6 Mb RAR
CM - Abovea
Abovea have been designed by M Fairuzulhaq, process design derived by freehand scratches with sans sherif style and slightly italic. What are special of the Abovea font is the anatomy font (Terminal, stem, stroke, bar, tail, bowl, counter, axis, spur, soulder, cross, etc) formed by unrepeated stucture based on the original freehand scratches, so that this font looks more expressive, natural, rhythmic, and have a soul. Except for the Diacritics letters like Agrave, Edieresis, Ntilde, etc still using the basic letters A, E, N, etc. This way just intend to make all the letters looks match and unity. Abovea font is really useful for various purpose and perfect for your typography needs, monitor or printing. Support Language: Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Pan African Latin, Dutch, Afrikaans, etc.
OTF, TTF | 2 Fonts | JPG Preview | 3.3 Mb RAR
CM - Telena Brush Modern Typeface
Suitable for design, element design, wedding, event, t-shirt, logo, badges, sticker, and awesome work, etc.
OTF, TTF, WOFF | 2 Fonts | JPG Preview | 3.5 Mb RAR
CM - Thirsty Dog
Thirsty dog is a messy typeface! It was written in a hurry its untidy and barely legible. Like I did it in a boring meeting in my notepad. It’s ideal for use over images (like in my examples) or anything that you want to look spontaneous. The font only includes uppercase letters, it has only 95 glyphs including numbers, punctuation and basic symbols.
OTF | 1 Font | JPG Preview | 3.6 Mb RAR
Fazeta is a type family that uses the optical sections. It is a modern static antiqua (it has not obliqued axis, serifs without slopes) but distant from ceremonious and rigid look of this type category. Inspiration was typeproduction from Czechoslovakia 60’s - J. Týfa, V. Preissig, J. Linzboth or A. Krátky. Common factor of this typefaces is vivid and sharp design with stable serifs, tend to rational construction rather than calligraphy and some sophisticated small details vitalized general impression. In this case are facetted asymmetrical arches (some abbreviation). Specific of this typeface is a short arch of glyph “f” that allows comfortable typesetting without ligatures obligation. In character set are besides classical ligatures discretionary ligatures for special occasions. Another surprising element is that all vertical strokes are slightly expanded upwards. These details become invisible in small text but in larger sizes impressed the eye and fix attention to headline. For traditional text feeling are here alternative glyphs “a, c, f, j, k, r, y, K, R” terminated with typical serif. Typeface is graded by optical size into 3 variants - caption (robust structure with low contrast, suitable for size 6 - 9 pt), text (medium contrast, suitable for ordinary text about 10 pt) and display (high contrast and subtle details for 20 pt and higher). Every variant has 5 weights (light, regular, medium, bold and black) with italics. Typeface is with their naked cold expression suitable for neutral text without emotional feelings. In contrast with most antique typefaces this is intended for modern glossy white paper where crisp details can excelled. Every font contains 1140 glyphs, between them original small capitals, various digits, fractions, indexes, matematical symbols, arrows, borders and many alternative glyphs.
OTF, WOFF | 30 Fonts | JPG Preview | 15.9 Mb RAR
I will spare you the long-winded description this time and all of the motivations and witty innuendoes. Quite frankly, I forgot about creating this typeface and it sat on my hard drive for almost a year. Luckily, my daughter Isobel saw the initial drawings one day and ask me about those pretty letters and I remembered… yep, that happened. That said, time made this a better typeface… with fresh eyes and time, much was redrawn, retooled and expanded to something I truly enjoy playing with. Shameless makes extensive use of Contextual alternates to create a proper ebb and flow from letter to letter. Interestingly, there are only a handful of ligatures… instead many special combinations are accounted for solely by relying on Contextual Alts. Mix in Stylistic Alts, Swashes, responsive Titling Alts, numerous Style Sets, etc and you can have a lot of fun. I created 2 versions. A ‘Standard’ version that has 2200+ characters and a ‘Deluxe’ version that has 2400+ characters and an interesting caveat… I plan on expanding the Deluxe version any time I have an idea to add to the typeface… and as such, buyers will receive all of those updates at no charge (with updates going directly to the distributors). Oh, and if you are wondering… Shameless is based on my handwriting using Kuretake Zig CocoIro pens. I love these pens.
OTF, WOFF | 2 Fonts | JPG Preview | 3.9 Mb RAR