Bend is a contemporary ribbon type family. Unlike most typefaces of that genre Bend is a sans serif. It is the top view angle and the characteristic stripes that create an elegant illusion of volume. A prominent feature of Bend is the ascending baseline. Simply rotating the text element by 14 degrees reveals the 3D effect and Bend’s full potential. Bend comes in two widths and with three different layers for chromatic results. As a display typeface Bend likes to be set in big sizes and short sentences.
OTF | 6 Fonts | JPEG Preview | 5.7 Mb RAR
As in Victorian times, the precious, hand-lettered look of custom stationery is back in vogue. Enter Courtesy Script, an original creation by Alejandro Paul. Courtesy captures the elegance and propriety of finely practiced Spencerian penmanship, in particular the Zanerian school. Its lowercase is notably understated, a simple monoline with very wide connections that ease readability. In the capitals, Courtesy adds variety in both the weight of the strokes, and in degrees of flourish — from merely fancy to over-the-top engrossery. Based on an alphabet found in a 19th-century penmanship journal, Ale created hundreds of additional, stylistically complementary letterforms. Alternate capitals and lowercase letters, swashed lowercase forms, and ending and ornamental swashes; numerals, punctuation, and non-English and accented characters. With virtually endless ways to customize its use, Courtesy helps designers create fluid, signature looks on stationery and invitations, book covers, fashion layouts, and packaging.
OTF | 1 Font | JPEG Preview | 32.8 Mb RAR
American type designer Michael Abbink and Dutch type designer Paul van der Laan created this slab FontFont in 2013. The family has 18 weights, ranging from Thin to Black (including italics) and is ideally suited for advertising and packaging, book text, logo, branding, small text, wayfinding and signage as well as web and screen design. FF Kievit provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.
OTF + TTF | 18 Fonts | JPEG Preview | 7.4 Mb RAR
FM Thank You consists of 26 ‘thank you’ hand letterings - all custom made and handwritten. Now you have 26 unique ways to say ‘thank you’, adding a personal touch to your message.
OTF | 1 Font | JPEG Preview | 8.8 Mb RAR
I just love hand illustrated typography designs, I literally could doodle for hours - so to spare you some time, I've put my doodled lettering in a carefully-crafted, handy new single typeface for you to whip out when you are in a typographical quandary. It has loads of alternates,swashes and catchwords - It has been designed with intention to create very unique and one-of-a-kind branding/designs.
OTF + TTF | 3 Fonts | .ASL Styles | JPEG Preview | 8.5 Mb RAR
In the name of our love to old advertising letter style in early 1900, we proudly presents Lifer. A classic ornamental font that suits best for any vintage / classic design themes. Lifer's 247 glyphs are mouse-crafted carefully with high and smooth details on every lines. Available in upper and lowercase, numerals, punctuations and some multilingual characters. (in .OTF and .TTF)
OTF + TTF | 1 Font | JPEG Preview | 3 Mb RAR
Schwager sans is the new version of Schwager. This time with a fresher taste, retaining the same principles of structure, geometry and modernist aesthetics in a contemporary reinterpretation. Designed especially for use in titles, reveals concepts associated with masculinity, technology or sports, perfect for application in cover design, logos, web.
OTF | 12 Fonts | JPEG Preview | 4.5 Mb RAR
Irma Text Round has been carefully crafted with nuanced curves and a more intimate character than Irma Text. Its edges are round and soft, but the underlying forms are clear and lucid, making it both suitable for display use and legible at small sizes. Each weight behaves differently — the terminals of lighter cuts are completely circular, while the heavier weights are less rounded — yet its appearance is consistent in each weight.
OTF | 18 Fonts | JPEG Preview | 4.1 Mb RAR
Buttermilk is the first font from illustrator/designer/typographer Jessica Hische. It’s a wonderful display script that is feminine but bold. It’s equipped with decorative caps (which would make great drop-caps), fancy numerals, and a far too extensive array of ligatures (automatic in most programs thanks to OpenType) to make it easier for you to set it beautifully.
OTF | 1 Font | JPEG Preview | 4.1 Mb RAR
One design sparks another. As Alejandro Paul experimented with the strokes and curves of the monoline script Business Penmanship, he discovered interesting new forms and shapes that didn't fit the Spencerian theme of that typeface. These forms simmered in Ale’s subconscious over the next three years, during which time he visited New York City, pored over rare type specimen books in the New York Public Library, and explored Brooklyn’s neighborhoods. Brownstone, the face born from these explorations, is an original 21st-century design, yet one subtly infused with historical and cultural references -- keen observers might spot influences from decorative typefaces of 19th-century foundries. And just as faces from that era were influenced by contemporary architecture, the frames included with Brownstone echo the ornate iron railings of Park Slope’s row houses. (There’s also a slight 1960s vibe to Brownstone, of novelty swash-sans photocompositing faces, that can be played up at your discretion.) Influences aside, Brownstone has broad appeal to modern audiences. A soft, monoline sans-serif, with elements of Swiss geometry (see the ‘k’ and ‘x’), its marriage of highly legible, draftsman-like letterforms with decorative swashes and ornaments reflects the old-meets-new aesthetic of the DIY craft culture seen in Brooklyn and other urban centers. It’s ornamental but unfussy, romantic but understated. Brownstone includes character sets for Latin-based languages, including Western and Eastern European, Baltic, Turkish, Maltese, Celtic and Welsh. Over 1500 glyphs, including small capitals, swash characters, alternates, and ligatures, in both Light and Thin weights. Ornamental frames are also included in both weights.
OTF | 3 Fonts | JPEG Preview | 3.4 Mb RAR
Aloha! Veteran Sign Painter Pierre Tardif and Lettering Artist Charles Borges de Oliveria have teamed up to bring you these fun to use brush fonts. Aloha Script comes in two flavors: Aloha Script and Aloha Script Casual. Both fonts contain the same lowercase, alternates, and ligatures – the difference is in the capitals. By mixing both fonts you can create a variety of unique logos. Aloha Scripts Casual can be set in all caps for greater emphasis on captions. Both fonts contains over 100 alternate characters, as well as an assortment of ligatures, swashes and underlines. With over a year and a half in development, Aloha is bound to please. Great for logo design, signs, posters, culinary food packaging and so much more. Aloha!
TTF | 2 Fonts | JPEG Preview | 4.3 Mb RAR
Voltage, created by award-winning typeface and lettering designer Laura Worthington, is an unexpected and energetic standout in the world of script fonts, breaking free from formal classifications while retaining the degree of personality we treasure in hand lettering. Her primary goal was unique: readability with personality. Gone are the large loops, the frilliness, and the choice of beauty and elegance over utility. Voltage takes the script font in a different direction, with an emphasis on practicality and uniformity, and with the reader’s needs at the forefront—this is a straightforward, muscular lettering font, assertive, yet down-to-earth. The beauty is found in its elegantly-wrought construction, its versatility, its references to a different era, and in the galvanizing swashes and alternates available not only in a professional designer’s software, but to everyone with a computer.
OTF | 3 Fonts | JPEG Preview | 19.8 Mb RAR
No word describes this font better than STYLE... TypeSetIt has taken things just a step further. It takes the look and simplicity of 1950s and 60s advertising and combines it with up to date design characteristics. With three main styles, Plain, Script and Formal, StylePro transforms the Retro look into a versatile, and powerful font that can be used for nostalgic work, or 21st Century design. Style Script is a beautiful upright script with looks that vary from Casual to Formal in appearance. If you're a professional graphic designer, use Adobe Illustrator®, or InDesign®, to access Style Script Pro’s Opentype features. With over 1275 Glyphs, the OTF programming gives a powerful solution to the needs of design professionals. Special thanks to Maximiliano Sproviero (my good friend) for his keen eye and design suggestions, and a note of appreciation to Mark Simonson for helping with technical issues.
OTF | 8 Fonts | JPEG Preview | 8.6 Mb RAR
Korpo_sans, designed by Mateusz Machalski, is a sans type family with a friendly feel. This type comprises 8 variants with two different “a” and “g” glyphs per style. Broken details were made intentionally for better readability. The low contrast and high x height is perfect for longer text and Headlines. Korpo Sans support over 40 languages with Cyrillic and Greek version.
OTF | 8 Fonts | JPEG Preview | 5.4 Mb RAR
Parfait Script Pro takes its inspiration from Spencerian script and pointed brush lettering, two styles of writing (or of drawing letters, a calligrapher would say), that the designer successfully combined. Parfait Script Pro is an Open-Type font designed by Maximiliano R. Sproviero between 2009 and 2010. It has over 850 glyphs.
OTF | 8 Fonts | JPEG Preview | 6.3 Mb RAR
Collage BB font was created for visual imitating of cuted paper Serif letters. The idea was to imitate kid’s clumsiness and irregular shape of letters. Good readability allows using this font for making some long texts. The font contains all the Latin and Cyrillic glyphs. BB - Bajina Bašta (Bašta in English means Garden) is the name of the small town where I spent my carefree childhood. That’s why I was inspired by Peter Pan.
OTF | 1 Font | JPEG Preview | 8 Mb RAR
Aneba is a geometric sans serif typeface family with a clean feel. The low contrast and high x height is perfect for logos and Headlines. Each Aneba glyph has an interesting detail in form of ink traps. Aneba family contains 5 weights in two different styles - bold & oblique.
OTF | 10 Fonts | JPEG Preview | 5.4 Mb RAR