- Dime Store is a font inspired by childhood memories of dime stores in downtowns and shopping malls in the 1970s. The font was tweaked and digitized by Bob Alonso, who also digitized Breauhare’s Cooper Goodtimefont. Dime Store is a cool, hip, nostalgic way of creating a decorative display, and at times it seems to have a slightly futuristic look, too.
- Bauhaus Bugler’s design never appeared in Harry Warren’s 6th grade class newsletter The Broadwater Bugler but its design came about during that same period in 1975. Because of this, it has been officially designated an honorary Bugler font! Its theme of broad curves that leap over and under conjure visions of fashion and high-end department stores with their dress boxes and shopping bags, plus hair products, cosmetics, couture, and other stylish personal merchandise of the highest caliber. Bauhaus Bugler also has an art deco flavor, especially when all capitals are used. It comes with two alternate versions of the upper and lower Y to give users more freedom of choice.
- Strands is a carefully ink drawn font that grows on you. It looks and reads like spaghetti and vines! Spring is emerging with this font. Use it for headlines and logos. Each letter grabs on to the next producing playfulness and life!

CM - Waterlily Typeface
Waterlily is a new hand written font for 2015. Available for both personal and commercial use. No extended license is required. Download and use Waterlily for anything and everything. Including over 80 different hand drawn characters for a range of languages and dialects.
OTF, TTF, WOFF, SVG | 1 Font | JPG Preview | 4.6 Mb RAR

CM - Folkster
Folkster is a mono-weight cursive script font created in a hand lettered style. Folkster includes a full alphabet with all characters, numerals and over 50 glyphs. Font file is .otf format.
OTF | 1 Font | JPG Preview | 3.5 Mb RAR

CM - Merno
The Merno font is the hand lettering font that can be use for various purposes.such as headings, signature, logos, t-shirt, letterhead, signage, lable, news, posters, badges etc. The Merno font comes up with 219 glyphs and The alternative characters which can be accessed by using OpenType programs such as Adobe Illustrator and Adobe InDesign.
OTF + TTF | 1 Font | JPG Preview | 4.3 Mb RAR
Quercus Sans Font Family $349 | 16 x TTF and OTF
http://www.myfonts.com/fonts/storm/quercus-sans/
“Quercus” is characterised by open, yet a little bit condensed drawing with sufficient spacing so that the neighbouring letters never touch. It has eight interpolated weights with respective italics. Their fine gradation allows to find an exact valeur for any kind of design, especially on the web. Quercus serif styles took inspiration from classicistic typefaces with vertical shadows, ball terminals and thin serifs. The italics have the same width proportion as upright styles. This “modern” attitude is applied to both families and calls for use on the same page, e g in dictionaries and cultural programmes. Serif styles marked by “10” are dedicated to textual point sizes and long reading. The sans-serif principle is rather minimalistic, with subtle shadows and thinned joints between curved shapes and stems. Quercus family comprises of the usual functionality such as Small Caps, Cyrillics, diacritics, ligatures, scientific and aesthetic variants, swashes, and other bells & whistles. It excels in informational and magazine design, corporate identity and branding, but it’s very well suited for book covers, catalogues and posters as well.
Belvedere Font Family $200 | 8 x TTF and OTF
http://www.myfonts.com/fonts/studio-k/belvedere/
Belvedere is an Italian word that translates as ‘beautiful outlook’ and describes a pavillion or summer house on high ground with commanding views. It has grace, style and a touch of class, all of which I've tried to incorporate in this font family. The snazzy graphics are by my friend and colleague Dan Austin.
Conflict Font Family $80 | 4 x TTF and OTF
http://www.myfonts.com/fonts/typomancer/conflict/
OTF | WOFF
MY WAY belongs to fonts which contain “aesthetic of ugly”. This is a font with a good balance of rhythm and contrast. It’s aim is casual, wild and anarchic layout. Because of the spontaneity which this font contains, you cand find plenty of Standard and Discretionary Ligatures, just to avoid frequent repetition of letters. If you find single repeating glyphs, you can change that by toggling between Stylistic Alternates, if you want. There are ligatures created for Cyrillic too.MY WAY is perfect choice for all dirty, naturally and wild, but authentically beautiful things as Blues, Jazz, Punk
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60 Font Family - 474 Fonts 14500$
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Fontfabric is an independent type foundry, which was launched at the close of 2008 by type designer Svet Simov who is based in Sofia, Bulgaria. Our goal is to create high-quality fonts which stand in a unique class of their own, and which will serve as a good base for any designer project whether it be web, print, t-shirt design, logo etc.
In less than three years, our Fontfabric collection has grown to almost thirty type families, many of which have become top sellers. Our typefaces are in perfect tune with the current revival of 1970s geometric lettering and ornamentation, a style of graphic design which we loves and admires, while adding subtle new flavors to the repertoire of available fonts.


OTF | WoFF | 30.6 MB
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Rowton FY digs its roots in Eric Gill’s views on typography in his book “An essay on Typography”. This typeface has the very British feel of the 20th century. Taking as inspiration the calligraphic illustrations of the book, Julien Priez, Hugo Dumont, Jérémie Hornus, and Alisa Nowak, shaped up a new design. This sans-serif is tuned for text setting (with small capitals) but can also be efficient at larger sizes, specially with its lighter weights, and does a perfect job for signage or logos.Taking the same source of inspiration a stencil display typeface for bold and bespoke titling is also in the making.Rowton Sans FY has six weights (from Hairline to Bold), with gently sloped italics companions that have details of cursive handwriting. ExtraBold and Black weights are also part of the project and will be released later.
OTF | WOFF | 36.2 MB
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Crafted from Sancoale’s simple geometry, new softened slab serifs provide a lively typeface that conveniently enhances its cousins: Sancoale Softened--a sans with blunted terminals; Sancoale Slab; and, certainly, the first Sancoale. The weights of each and every member are balanced diligently to be compatible with one another. When used alongside one another, the combination makes for robust and tight design.With weights starting with the slender thin ranging to the juicy black, Slab Soft opens the doorway to the vary of uses. Its design is legible and neutral enough for bodies of copy--both in print and on your website. The web font also stands out perfectly as a headline or a display face. Slab Soft carefully places a foot ahead, and doesn't overpower like many slabs. This font’s the choice to seize the day and get the job done.All insigne™ fonts are absolutely loaded with OpenType options. Sancoale Slab is geared up for pro typography, together with alternates with stems, compact caps and lots of alts, together with “normalized” capitals and lowercase letters. The font features many numeral sets, with fractions, old-style and lining figures with superiors and inferiors. OpenType-capable programs like Quark or the Adobe suite allow you to quickly change ligatures and alternates. You can see these options shown in the .pdf brochure. Bundled are compact caps, fractions, old-style and lining quantities, scientific superior/inferior figures, entire ordinal and inferior alphabet.The Sancoale superfamily also features the glyphs to aid a variety of languages, together with Central, Eastern and Western European languages. In all, Sancoale Slab supports around forty languages that utilize the Latin script, earning Sancoale the pick for for multi-lingual publications and packaging.
Quercus Whiteline Font Family $110 | 3 x TTF and OTF
http://www.myfonts.com/fonts/storm/quercus-whiteline/
Quercus is characterised by open, yet a little bit condensed drawing with sufficient spacing so that the neighbouring letters never touch. It has eight interpolated weights with respective italics. Their fine gradation allows to find an exact valeur for any kind of design, especially on the web. Quercus serif styles took inspiration from classicistic typefaces with vertical shadows, ball terminals and thin serifs. The italics have the same width proportion as upright styles. This “modern” attitude is applied to both families and calls for use on the same page, e g in dictionaries and cultural programmes. Serif styles marked by “10” are dedicated to textual point sizes and long reading. The sans-serif principle is rather minimalistic, with subtle shadows and thinned joints between curved shapes and stems. Quercus family comprises of the usual functionality such as Small Caps, Cyrillics, diacritics, ligatures, scientific and aesthetic variants, swashes, and other bells & whistles. It excels in informational and magazine design, corporate identity and branding, but it’s very well suited for book covers, catalogues and posters as well.
Unda Decorative Fonts $621 27xOTF
UNDA Circle Fine, Italic, Regular
UNDA Horizontal Fine, Italic, Regular
UNDA Square Fine, Italic, Regular
UNDA Triangle Fine, Italic, Regular
UNDA Vertical Fine, Italic, Regular
UNDA Angle Fine, Italic, Regular
UNDA Angle Italic
UNDA Bitmap Fine, Italic, Regular
UNDA Bitmap Italic
UNDA Outline Fine, Italic, Regular
UNDA Outline Italic



16 Fonts OTF | TTF
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OTF | WOFF | 28 MB
This bundle includes every single font we've released to date on Creative Market. That's a grand total of 148 fonts, which have a combined retail price of $1,565. Pick up the Mega Bundle today to get your hands on every single font in our collection for only $148!
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OTF | WoFF | 34.6 MB
Encorpada Pro Encorpada Classic Encorpada Essential Encorpada Black


OTF | 286 KB
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In 1994 Apple® Computer, Inc. asked David Berlow for “a future gothic” to replace Chicago®, their system font. Now called Charcoal®, the design was released with Mac® OS 8 in 1996.Through operating system bundles it found its way into every form of design. Released from constraint, Berlow designed FB Truth, a radical series with a spectrum of seven weights.Like its forbear, FB Truth opens new design avenues.
Among other uses, Truth FB is recommended for Newspaper, Magazine, Book and Corporate use.