P22 Underground Font Family $299.95 | 77 x TTF and OTF
Underground Pro expands on the historical design by Edward Johnston, licensed exclusively to P22 from the London Transport Museum. The overall design of Underground Pro is kept as intended by Johnston and remains within his system of proportions. Additional OpenType features, such as Small Caps and Petite Caps, are included in all 6 weights. A Titling option that mimics London Transport signage is offered in the medium weight. The addition of many Unicode ranges for unprecedented language support makes this the most expansive P22 font family ever. Each Pro font weight collectively contains over 5000 glyphs, covering most Latin based languages, with separate Greek (polytonic) and Cyrillic versions. The outlines of the original Regular and Bold have been subtly redrawn and expanded, they are now available as Medium and Heavy respectively.
P22 Platten Neu Font Family $169.95 | 15 x TTF and OTF
P22 Foxtrot Pro Font Family $239.95 | 24 x TTF and OTF
Christmas Graphics Bundle
Over 700 graphics (2D and 3D)
50 Christmas Globes Pack- 3D | 100 Christmas Ornaments and Items - 3D | Christmas Stickers 3D | 100 Gift Boxes Pack | Christmas Tree 3D 3 Sets | Christmas Vector Characters 2 Sets | Christmas Vector Monsters 2 Sets | North Pole Sign | Santa Sleigh - 3D | 50 Snowflakes Vector Shapes 2 Sets | Snowman 3D Set | Christmas Line Icons | Xmas Cake 3D Set | Christmas Snow Globe Set | Champagne Bottle 3D | Champagne Bottle and Glass 3D | 100 Vector Star Shapes | Fireworks Rockets 3D
OTF | WOFF
Gryffensee is designed to be the Futura of blackletter, combining the time-honored gravity and relentlessness of the Gothic script with the clean, contemporary freshness of the geometric sans. Built from a tightly controlled inventory of lines, arcs, sharp cuts, and OpenType features, Gryffensee was born and raised in the digital age, yet retains the powerful charisma and human warmth of its mediaeval blackletter ancestors. As a result, it excels in a wide range of display settings, logotypes, and short text. Unlike most conventional blackletters, it even handles all-caps usage with grace, and includes an extensive Cyrillic character set (in the Pro version).Apart from a generous range of automatic ligatures and contextual alternates, Gryffensee offers stylistic alternates that allow users to customize its appearance to their tastes. The capital letters |AGHIKZ| come in alternate cuts that trade traditional shapes for increased legibility, while the letter |s| appears in three cuts, each with a unique, distinct flavor. All these options are accessible through OpenType stylistic sets in the main Latin font, Gryffensee Eins. For easy use in applications without OpenType support, we provide two additional Latin fonts (Gryffensee Zwei and Drei) in which these options replace the default cuts. Finally, Gryffensee Pro offers all the functionality of Gryffensee Eins, plus Cyrillic support.My intention to devise a contemporary geometric blackletter was inspired by four hand-painted letters, |ABCD|, in Sasha Prood’s online portfolio. I later found out that he had, in turn, taken those letters from an existing font, Bastard, by Jonathan Barnbrook. Luckily, by that time my project had taken on a life of its own. Gryffensee is an original design that bears only the most superficial resemblance to Bastard. Gryffensee is a mediaeval spelling of the lake Greifensee near which I grew up. It is pronounced [?gri?f?n?se?], or "GRIEF-un-say" in English approximation. This font is dedicated to Simone.
OTF | WOFF
Octant is an original display typeface drawing inspiration from Victorian-age steel and brass engineering, as well as from blackletter typography. Despite its many innovative departures from traditional letter architecture at the detail level, its overall shape is based on the familiar timeless proportions of humanist serif tradition, which renders it easily legible.While Octant shines in display roles, it also performs well in short texts such as poetry or block quotes. Apart from serving as a fresh alternative to blackletter, it evokes hand-crafted metalwork, daring feats of engineering and innovation, and adventurous journeys on airships and sailboats. Thanks to its unique and unmistakable look, it delivers a memorable impact in any role.Octant comes with extensive language support and a generous collection of ligatures. For ease of use in typographically unsavvy applications (such as PowerPoint), the distribution includes an alternate version of the font (“Octant Ligatures”) in which all ligatures are encoded as standard rather than discretionary.Acknowledgements: Many thanks to the helpful folks on the Typophile.com forums, whose feedback and support were crucial in developing Octant from a few doodles to a mature font! Special thanks to Rainer Scheichelbauer from glyphsapp.com for helping with localization and troubleshooting. Spacing and kerning by Igino Marini’s iKern service. This font is dedicated to Simone.
OTF | WOFF
KatieRose was designed by a calligrapher to have an elegant, handwritten feel, without the fussiness of traditional calligraphic scripts. Its fine hairlines and sculptural downstrokes are easily read at display and smaller sizes alike.
FT Giorgio is based on a hand lettering in a movie poster La Dolce Vita by Giorgio Olivetti. FT Giorgio has class-based kerning and around 200 automatic interlock ligature pairs which gives your design a custom look. To use the ligatures you only need to write in CAPS and use an OpenType-aware application.
OTF | 3 Fonts | JPG Preview | 3.4 Mb RAR
- In the early 1980s, at the start of my career, I had the opportunity to work in a print shop with classic lead setting. In those days I would study issues of U&lc magazine from ITC. What really caught my attention were scripts in the Spencerian style. I’ve been fascinated by this American penmanship tradition ever since.
- A few years ago I developed a font. Boris Bencic used it when he was redesigning L’Officiel magazine in Paris. I took these initial forms and developed them into the font Mommie when I started my own foundry. Although I usually design text typefaces, working on Mommie taught me how complex it can be to create a script headline font. The biggest challenge in this process has been to keep it alive and fresh.
- The Regular weight is only made for very big headlines. The thin lines with the bold drops are very elegant. For smaller sizes use the Medium and Small weight.
- It won the TDC 2008 award and was Judges Choice of Christian Schwartz.
Glenda Font Family 2xOTF - Hubert Jocham €78
- Glenda is again an italic script like Mommie. In the Regular the characters join and it looks like a neatly written sprencerian handwriting. But like Narziss it has got a Swirls version too. Every glyph and swirl is carefully designed to work in every connection. Use Glenda at only very large sizes.